Staff Picks

Recent Picks

Pandora's jar : women in Greek myths book cover

Meet me by the fountain : an inside history of the mall book cover

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Last call at the Hotel Imperial : the reporters who took on a world at war

Deborah Cohen

070.922 /Cohen
Nonfiction, Biographies, History

"Married foreign correspondents John and Frances Gunther intimately understood that it isn't only impersonal, economic forces that propel history, bringing readers so close to the front lines of history that they could feel how personal pathologies became the stuff of geopolitical crises. Together with other reporters of the Lost Generation--American journalists H.R. Knickerbocker, Vincent Sheean, and Dorothy Thompson--the Gunthers slipped through knots of surveillance and ignored orders of expulsion in order to expose the mass executions in Badajoz during the Spanish Civil War, the Nazi-Soviet Non-Aggression Pact, the millions of dollars that Joseph Goebbels salted away abroad, and the sexual peccadillos of Hitler's brownshirts. They conjured what it was like to ride with Hitler in an airplane ("not a word did he say to any soul"); broke the inside story about Mussolini's claustrophobia and superstitions (he "took fright" at an Egyptian mummy that had been given to him); and verified the hypnotic impression Stalin made when he walked into a room ("You felt his antennae"). But just as they were transforming journalism, it was also transforming them: who they loved and betrayed, how they raised their children and coped with death. Over the course of their careers they would popularize bringing the private life into public view, not only in their reporting on the outsized figures of their day, but in what they revealed about their own (and each other's) intimate experiences as well. What were intimate relationships, after all, but geopolitics writ small?"--

I thought this book had a slow start, but as soon as we got to Europe and in the thick of war reporting, I was hooked. Learning about Dorothy Thompson, Frances Gunther, John Gunther, H.R. Knickerbocker, and Vincent Sheean and how they reported on Europe in the 1930s and 1940s showed how important journalists are. -Anne M

Unbelievably vegan : 100+ life-changing, plant-based recipes: a cookbook book cover

Endlessly ever after : pick your path to countless fairy tale endings! : a story of Little Red Riding Hood, Jack, Hansel, Gretel, Sleeping Beauty, Snow White, a wolf, a witch, a goose, a grandmother, some pigs, and endless variations book cover

Carry on : reflections for a new generation book cover

Hell's half-acre : the untold story of the Benders, a serial killer family on the American frontier book cover

The colony : faith and blood in a promised land book cover

Horse

Geraldine Brooks

FICTION Brooks Geraldin
Historical Fiction

"A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. Jarrett, an enslaved groom, and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. As the nation erupts in civil war, an itinerant young artist who has made his name painting the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a 19th equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly drawn to one another through their shared interest in the horse - one studying the stallion's bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred, Lexington, who became America's greatest stud sire, Horse is a gripping, multi-layered reckoning with the legacy of enslavement and racism in America"--

I enjoyed Geraldine Brooks’ “Horse.” It read fast, I suppose like it’s main subject, one of the greatest racehorses in US history, Lexington. I loved the central idea: what parts of our history seem so important at the time they occur, then forgotten and discarded, only to be found with new meaning. This story centers on a discarded painting of a horse and some equine bones in a Smithsonian storage facility. From that idea, people, places, events are vividly captured on the page: this horse is important in so many different ways. The novel recreates the relationship between Jarrett, an enslaved horse trainer and Lexington, as well as those who come into contact with the painting of Jarret. There was something disjointed and uneven about the narrative, especially the interplay between the past and present. While Jarrett’s story in the 1850’s and 1860’s was deeply rich, the other characters seemed like afterthoughts, there only to make the connection from the past to the present. Perhaps that is the point. Brooks is trying to draw attention to and bring to life through fiction an individual that was unnoted and forgotten but central to racing history. I’ll be thinking more about this at length, which is all I ask of a book. -Anne M